Last week, I finally got to check out the “Windows of Wonderment” exhibit in the carousel building’s windows—a retrospective of a handful of Bob Baker Marionette Theater’s stringed spectaculars.

It was supposed to run just for the Christmas holiday season (November 25 through January 7), but fortunately its run has been extended through the end of the month.

It’s one of the only ways you can experience classic Bob Baker puppet shows, like “Fiesta” (circa 1969), in person—as the pandemic has also shut down their Highland Park location and even their safe and socially distant touring shows.

But seeing the marionettes presented in this way is kind of perfect, given Bob Baker’s history in creating window displays for Disneyland’s Main Street Emporium and Downtown LA department stores—the latter of which is where the elephant Baby Penelope made her debut in “Circus” (alongside Captain Wilbur, not pictured below) in 1940.

Even widely known traveling shows—like the backyard bonanza “Something to Crow About,” which debuted in 1955 at Laguna Arts Festival—appear perfectly suited to be frozen in tableau.

This springtime sensation is the one where the puppeteers wear denim overalls for a musical “Day on the Farm.” But there are no humans to be found in these windows—which somehow makes them more magical.

I’d first seen the show in 2013—but I’d also spotted some of the vegetable marionettes (like Mrs. Broccoli from KTTV’s “Revolt of the Vegetables”) at a 2014 exhibit at Blue 5 Gallery. Others will recognize the flapper-style dodo bird, who sings “That’s My Weakness Now” and was once featured in the 1975 Disney film Escape to Witch Mountain.

I’ve never seen the Bob Baker production “Over the Garden Wall”—a “backyard tea party” starring Humpty Dumpty, which made its debut in 1961—but few people have. After a 30-year hiatus, it was revived in 2019 for a limited Pasadena run and the Bob Baker Yard Sale—and it now makes a cameo on the Pier.

Last produced in the old Bob Baker space in 2016 after emerging from a 25-year dormancy, “Hooray L.A.” began in 1981 as a “love letter to Los Angeles,” upon the city’s 200th birthday.

A pair of its stars—the “Hollywood Mice”—also appeared in the limited-time “Welcome Wagon Revue” retrospective show, which helped usher in a new era at the puppets’ new home in Highland Park in November 2019.

They seem just as home in Santa Monica as they do in the limelight of Hollywood Boulevard.

Perhaps the most exciting inclusion in the carousel building window displays is what Bob Baker Marionette Theater considers its future—”1001 Nights,” Bob’s final unfinished show that’s been 30 years in the making. Formerly called “Arabian Nights,” I’d first caught wind of it back in 2014, the year Bob died—though it was supposed to be finished all the way back in 2012. The theater company’s puppeteers gave a small audience a sneak preview of it in 2017—but the rest of us will just have to be patient until it’s ready for a broader opening.

It would be nice if these windows could stay up a little while longer. I’d like to see them lit up at night.

And they’re a nice way to tide yourself over until the Bob Baker Marionettes can take their show back on the road and throw open the doors of their theatre.

At least the displays have been memorialized in a View Master reel, which the theater company is selling in its online shop.

The “The Wonder of Bob Baker Marionette Theater’s Window Displays at the Santa Monica Pier Carousel” was originally published on www.avoidingregret.com. To see more of Sandi Hemmerlein’s writing, visit https://www.avoidingregret.com/2021/01/photo-essay-wonder-of-bob-baker.html.

The Bob Baker Windows of Wonderment will be on display at the Santa Monica Pier through the end of January 2021.